Shrek 5: A Green Reunion on the Big Screen in 2027 

Shrek 5 will also reunite moviegoers with Mike Myers’ beloved ogre nearly two decades after he was last seen in Shrek Forever After.

Although speaking of one of the Man of Steel’s greatest adversaries, folks who enjoyed the 2025 movie release of Superman, as well as Saturday Night Live fans, are going to be pleased by the actors who’ve been cast as Shrek’s sons.

The sequel from DreamWorks Animation and Universal hits theaters on June 30, 2027.

Read: Breathing Underwater crowned Best Film at the 11th edition of the Lëtzebuerger Filmpräis

Shrek 5 is directed by franchise veterans Conrad Vernon and Walt Dohrn. Vernon’s directing credits include Shrek 2 and Madagascar 2, and he is the voice of Gingerbread Man (aka Gingy) in the Shrek films. Dohrn (Trolls films) worked on the second and third Shrek pics as a writer and artist and as Head of Story on the fourth. Dohrn also voiced the character of Rumpelstiltskin in Shrek Forever After.

It was announced during the Macy’s Thanksgiving Day Parade that Skyler Gisondo, who played Jimmy Olsen in Superman, and SNL cast member Marcello Hernández, will voice Fergus and Farkle, the brothers of Zendaya’s Felicia. They join the aforementioned Myers, Cameron Diaz reprising Fiona, and Eddie Murphy reprising Donkey. The triplets were born in Shrek the Third, and after spending some more time with them as infants in Shrek Forever After, we’ll finally get to hear how they sound as teenagers once Shrek 5 rolls around.

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Post udostępniony przez Ahmed Zidane (@spider.man.zidan)

The four Shrek movies have minted close to $3 billion around the world, with the first movie in 2001 winning the first ever Oscar for an Animated Feature. The movie spawned a global live-touring show, an award-winning Broadway musical that earned eight Tony nominations and 12 Drama Desk nominations, plus an immersive, top-tourist destination in London and a popular events and attractions across Universal Studios Parks worldwide.

Read: Breathing Underwater crowned Best Film at the 11th edition of the Lëtzebuerger Filmpräis


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